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Mix matrix 41
DL371 Audio System Engine
Operator Manual
• 16-off matrix buses, routable from the 56 inputs and eight aux inputs, and 16 aux
buses and three master buses.
• 16-off aux buses, routable from the 56 inputs and eight aux inputs.
All the bus routings (above) provide simultaneous and time aligned mixing of all the
sources, which will be defeatable for minimum latency requirements.
For monitor mixing, the master, matrix and aux buses can all be routed directly from
the input channels with independent level controls providing up to 35 monitor mix
buses.
For traditional FOH sub group mixing, any (or all) of the aux buses can change to
operate post-channel fader and pan (that is, aux gain fixed at unity).
Auxiliary inputs have two modes of operation: effects return and input channel. In
input channel mode (default) they will have aux, master and matrix routing, insert
points and EQ (like regular inputs channels), but no dynamic capability. They are
controlled like regular inputs from the input bay and channel strip, and are time aligned
to the stage like regular input channels. In effects return mode the channels have
routing to matrix and masters only and no insert or dynamic capability. They are
controlled from the aux return area and time aligned to the effects engines.
Mix matrix
Ultimately, the mix matrix defines the capability of the PRO6 Control Centre. Probably
the best way to imagine the mix matrix is to think of an analogue console layout, where
inputs run vertically and buses run horizontally. A mix matrix is usually defined as the
number of buses and the quantity of simultaneously-mixable inputs there are per bus.
The following diagram illustrates the capability within the control centre.
16 aux
buses
64 in x 16 out
mix matrix
{}
80 in x 3 out
mix matrix
16 matrix
buses
83 in x 16 out
mix matrix
3 master (stereo
and mono) buses
{}
{}
56 mic/line inputs 8 mic/line return inputs
6 solo
buses
99 in x 6 out
mix matrix
{}
Bus outputs
Bus inputs
- DL371 Audio System Engine 1
- Operator Manual 1
- IMPORTANT SAFETY INSTRUCTIONS 3
- EC-Declaration of Conformity 5
- Licences 7
- Precautions 11
- Safety equipment 13
- Optional equipment 13
- Special accessories 13
- Contents 15
- Contents 16
- Chapter 1: Introduction 17
- 2 Chapter 1: Introduction 18
- Features 18
- Warranty and registration 18
- About this manual 19
- Unpacking 19
- 4 Chapter 1: Introduction 20
- Chapter 2: Front Panel 21
- 6 Chapter 2: Front Panel 22
- Ethernet tunnel panel 22
- Snake X and Y panel 23
- DSP control panel 23
- DSP audio panels 23
- AES50 audio panels 23
- 8 Chapter 2: Front Panel 24
- Chapter 3: Rear Panel 25
- 10 Chapter 3: Rear Panel 26
- Mains input 26
- DSP modules 27
- 12 Chapter 3: Rear Panel 28
- Connector panel 28
- Router panel 29
- 14 Chapter 3: Rear Panel 30
- Chapter 4: Getting Started 31
- 16 Chapter 4: Getting Started 32
- Operation 32
- General specifications 33
- Inputs and outputs 33
- Routine maintenance 37
- Cleaning 37
- Voltage rail failure 37
- Equipment disposal 38
- Standard system configuration 39
- Key features 40
- Applications 41
- FOH and MON 42
- System buses 42
- Mix matrix 43
- Processing 44
- Mix channel processing 45
- Output channel processing 45
- Audio physical connections 46
- Surround capabilities 47
- Reliability (redundancy) 47
- Initial set-up procedure 51
- Unpacking the equipment 51
- Making up a rack 51
- Wiring instructions 51
- Mix position 52
- Powering the PRO6 system 53
- We hope you found it useful 57
- © 2010 Red Chip Company Ltd 58
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